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The medieval backplate is the piece that covers the back in a cuirass. The breastplate protects the front part of the torso; the back, the posterior. Together they form the cuirass, which is only part of the complete armor.
This distinction helps interpret photographs, recognize exhibits, and understand a historical reproduction. It also avoids a common confusion: a bib and back protector set does not necessarily include a helmet, arm protection or leg guards.
Back, breastplate and cuirass: how to tell them apart
- Back: rear defense of the torso, adapted to the contour of the back.
- Breastplate or pectoral: front defense of the torso. Your construction can incorporate more than one plate.
- Cuirass: set of chest and back defenses.
- Complete armor: equipment that brings together different defenses of the body, in addition to the armor.
To recognize a backrest, look at the shape of the neck, arm openings, waist, and attachment points. A front view of an outfit can hide almost the entire back piece: it is a good idea to also look at the back and sides.
What era are the plate backrests from?
The rigid plate cuirass must be placed in the evolution of European armor from the late Middle Ages. Not all previous defenses had the same structure, nor did all combatants wear full armor.
The Metropolitan Museum of Art explains that the breastplate was incorporated into the complete set of plates in the early 15th century. His record of a German breastplate from around 1480 also shows that the breast defense could be composed of two sections joined together to allow some movement. Therefore, speaking of breastplate and backrest as two parts of the armor does not mean that each one was always a single sheet.
During the 15th century, Italian gunsmiths perfected the full plate harness, with Milan as the prominent center. The evolution continued in the 16th century: a reproduction inspired by that century belongs to the Renaissance context, although it often appears grouped with medieval armor.
There were also other solutions to cover the back. The Met preserves a back plate from a 15th-century Italian brigandine that protected the area between the shoulder blades and the base of the neck, with remains of its textile covering. This example shows why it is not advisable to identify all rear protection with a large, visible backrest.
How it attaches to the breastplate and allows movement
The backrest works as part of a set. To understand it, examine the connections of the shoulders and sides, the relationship between the pieces, and the ending of the waist. In the photographed reproductions, straps and buckles can be seen; It should not be assumed that all historical originals used exactly those same closures.
Joining systems and articulated plates helped reconcile coverage and movement. According to Dirk H. Breiding of the Met's Department of Arms and Armor, a well-fitting harness did not turn its wearer into a motionless figure: its elements were linked together by moving rivets and straps. Some specialized tournament armor did impose greater restrictions.
What to look for on a reproduction backrest
The images in this article show modern reproductions and serve to recognize shapes and connections; They are not photographs of the museum pieces mentioned. A name such as "Milanese, 15th century" indicates the declared inspiration of the model and does not in itself demonstrate its fidelity to a specific original.
When examining a reproduction, these questions help you read the piece:
- What part of the back does it cover? Identify the top edge and where the main board ends.
- How does it connect to the bib? Locate the straps, buckles and meeting areas on the shoulders and sides.
- Does it have separate lower elements? Distinguishes the back plate from the slats added next to the waist.
- What is really seen in the photograph? A shot from the back does not allow checking all the components of the assembly.
The backrest inside the shell, at a glance
From historical identification to recreation
Understanding what a backrest is allows you to better describe armor and recognize what a set includes. If you want to see different reproductions, you can explore the collection of historical breastplates and backrests and compare their rear views with the front ones.
For a recreation or live role-playing activity, always check the manufacturer's intended use and the organizer's rules. The historical appearance or the declared thickness of the metal are not sufficient to prove the suitability of a reproduction for combat.
Sources and references
- The Met: German breastplate from around 1480, object 48.149.32. Construction by sections and incorporation of the armor into the plate harness.
- The Met: Italian or Flemish cuirass circa 1510–1515, object 53.138.3a, b. Development of plate and paper armor of the Italian centers.
- The Met: 15th Century Italian Brigantine Backplate, Object 29.150.98. An example of a rear bumper with a textile cover.
- Dirk H. Breiding, The Met: Weapons and Armor Myths and FAQ. Mobility, articulation and differences between battle and tournament armor.