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What image comes to mind when you think of a sword that measures almost two meters and moves with the precision of a dancer? The upright sword It was exactly that limit between brute force and refined technique: a two-handed weapon typical of the Iberian tradition that dominated battlefields, streets and fencing schools from the Late Middle Ages to the Renaissance. In this article you will learn its history, its technical characteristics, how it handled itself in combat and why its legacy still inspires practitioners and collectors.

Chronology: milestones that mark the evolution of the amount
| Era | Event |
|---|---|
| Late Middle Ages (11th – 15th centuries) | |
| 11th century (or before) | Medieval cavalry adopts the upright as part of its arsenal. |
| 14th century | The term "montante" appears recorded in written texts. |
| 1350–1550 | The mount is identified as a type of European sword used between the Late Middle Ages and the Renaissance. |
| From the 14th century | It is possible to document the presence of real fencing masters in the Iberian Peninsula. |
| Early 15th Century | Fencing master examination records highlighting the two-handed sword. |
| 1414 | A master dedicated to fencing with a two-handed sword is present at the court of the King of Navarre. |
| 1474 | Pedro de la Torre and Jaime Pons treated the two-handed sword in works that were later lost. |
| End of the 15th century (onwards) | The mount is consolidated as an Iberian variant of the long sword that became fashionable from the end of the 15th century. |
| Early Modern Age (16th century) | |
| 16th century (general) | The term upright It is used specifically for this sword; Its use is widespread throughout the century. |
| 1509 | Pietro Monte, in his Collectanea, states that the game of short weapons derives from the two-handed sword. |
| 1532 | Francisco Román, master of arms of Charles I, publishes a treatise that considers the stanchion as a fundamental weapon of fencing. |
| 1537 | The Barcelona silversmith Antonio de Valdes creates a masterpiece of a garnish (not an upright), linked to the world of swords. |
| Mid-16th Century (1556) | Documentation of IOANES DE AGIRE, a Basque swordsmith who marked stud blades in Zaragoza. |
| 1560 | Fencing demonstrations with uprights at the celebrations of the queen's entry into Toledo. |
| 1563 | Seven simple rules for the management of the amount noted in the margin of a theology treatise (De Locis Theologicis). |
| Period 1550–1600 | Identification of a Germanic mount (bidenhänder) with a flaming blade, typical of the German lansquenets in Hispanic service. |
| End of the 16th century (around 1582) | Publication of the Philosophy of Weapons by Jerónimo de Carranza (1582), founder of the school of True Destreza. From then on the mount tends to be subordinated to the sword alone in formal fencing systems, although Ancient Fencing endures. |
| 16th century (military use) | Landsknechts and other units use uprights to break up formations and create disorder in combat. |
| End of the 16th century | The military use of the upright is reduced and it begins to perform mainly civil protection and riot control functions. |
| 17th century | |
| Early 17th Century | The proliferation of firearms leads the mount towards representative tasks: military police, guards, ceremony and escort of flags and pennants. |
| 1651 (May 10) | Diogo Gomes de Figueyredo writes the Memorial of the Practice of the Montante, the most complete manuscript known on the Iberian use of the two-handed sword. |
| Mid 17th Century | Documentation of swords with cup-type garrison manufactured in Zaragoza; Known example: sword by Miguel Anglada, dated 1658. |
| 17th century (lexicon) | The term begins to appear greatsword, used both for large swords and in a hyperbolic sense or to refer to men of high hierarchy. |
| 18th and 19th centuries | |
| Until the 19th century | The term "montante" continues to be present in the literature and in the jargon of weapons experts. |
| 19th century | Widespread use of the term upright; terms are also generalized greatsword and greatsword to refer to large swords. |
| Until the middle of the 19th century | The school of True Skill, which considers the mount as a secondary weapon, endures in the training tradition. |
| Modern use and contemporary studio | |
| 1956 | The term greatsword It is collected in the dictionary as a colloquial form for a large sword. |
| News | The mount is the object of study by fans and practitioners of ancient fencing, included in Western martial arts. |
| 2023 | Pablo Moya publishes a monograph on the two-handed sword and the mount, focused on the Iberian panorama of the early modern age. |
What is the upright sword: definition and context
The upright sword It is a large two-handed sword characteristic of the Iberian Peninsula, used from the Late Middle Ages to the Renaissance. Although it is compared to zweihänder German, the upright developed its own technical and aesthetic language: lengths that could be around 1.60–1.85 m, a wide handle for two-handed grip and a double-edged blade designed primarily for cutting.
Technical characteristics: how it combines size and maneuverability
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Length: 1.50–2.00 m (the most common 1.60–1.85 m).
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Weight: surprisingly light for its size; usually 1–2.5 kg, which allowed agile fencing.
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Leaf: double edged, mostly straight; In some Germanic specimens associated with lansquenetes, flaming leaves appear.
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Handle and knob: Long handle (one third or more of the length of the blade) and heavy pommel that acts as a counterweight for optimal balance.
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Sparrowhawks: initially straight, they evolved into curved shapes to improve protection and control.
Tactical Use: On the Battlefield and Beyond
The stanchion was not just a display object: its military function was practical and varied. In formations, it served to break pikes and disorganize ranks, facilitating the charge of cavalry or the advance of troops. Off the battlefield, its size made it a weapon of crowd control and a symbol of authority among weapons masters.
Featured Features
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Formation breakdown: blows aimed at extreme disorder among pikemen and blocking defenses.
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Personal defense in small spaces- Wide cuts and circular movements to deny the area to the enemy.
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Ceremonial and public order use: from bodyguards to the authority of the master-at-arms.
The upright technique: philosophy and movements
Upright fencing is a practice focused on the control of space through wide cuts, body turns and constant rhythm. He was not looking for the precise thrust as much as the denial of the area around the combatant. The Iberian school privileged agility, avoiding prolonged ties with the rival blade so as not to be exposed to multiple attacks.
Operating principles
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circular blows: slash and backhand to sweep the front.
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Continuous movement: turn the body to follow the inertia of the weapon.
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Combat economy: chain simple rules as proposed by the traditional "seven rules" and subsequent treatises.
Montante vs Zweihänder: practical comparison
| Feature | Montante (Iberian) | Zweihänder (Germanic) |
|---|---|---|
| Typical length | 1.50–2.00 m | 1.50–2.13m |
| Typical weight | 1–2.5kg | 2–4 kg (up to 6.6 kg in extreme cases) |
| fencing style | Italian/Iberian school: agile cuts and turns | Germanic school: powerful blows and opening of gaps |
| Main use | Battle, crowd control, instruction | Battle (lanskkenets), opening of formations |
Terminology: mount, greatsword and broadsword
In modern vocabulary there is overlap: upright It is the term historically documented in the peninsula, greatsword It was a term of broader use and popularized later, and greatsword It originally alluded to the type of blow (a powerful backhand) and only later began to name the weapon in colloquial language.
Cultural and symbolic texture
Beyond its physical performance, the mount symbolized the skill of the teacher and the strength of the combatant. It was an emblem in celebrations, processions and in war iconography. In schools, the weapon was both an instructional tool and a professional badge.
Examples and key manuscripts
Among the texts that document its use, the Pratica do Montante Memorial (1651) by Diogo Gomes de Figueyredo and the marginal notes where the so-called "seven rules" appear for getting started with the weapon. These writings show a practical, chained system suitable for asymmetric combats.
Resolve your doubts about the upright and its role in the history of fencing
What was the main use of the upright in fencing?
The main use of the stanchion in fencing was to combat multiple enemies in asymmetrical threat situations, keeping them at bay using wide, powerful strikes that negated the area around the user, rather than aiming for precise hits on specific body parts or individual duelists. This allowed them to take advantage of their great reach and strength to control space and avoid close contact with several adversaries simultaneously.
How was the upright different from the zweihänder in fencing terms?
The upright and the zweihänder are two long swords used in different regions during the Renaissance, but they differed mainly in their swordsmanship.
- Fencing Style:
- Upright: His fencing was based on techniques more similar to those of the Italian school, emphasizing precise and controlled movements. Agility and speed were key, as the upright was relatively light compared to its size.
- Zweihänder: It was used in combat formations to open gaps between the pikemen's spears. His swordsmanship focused on powerful blows and wide cuts, taking advantage of his size and weight to knock down opponents.
- Postures and Movements:
- Upright: Involved more agile and short movements, with a focus on quick parries and counterattacks.
- Zweihänder: It was used in wide and powerful movements, taking advantage of its length and weight to create gaps in formations.
In short, although both were longswords used with two hands, the montante was noted for its agility and more refined techniques, while the zweihänder was better known for its power and ability to create gaps in combat.
What specific characteristics made it so agile despite its size?
Specific features that made the Chevrolet Agile so agile despite its size include its 1.4 4-cylinder engine, redesigned for optimal performance with good power and efficiency, along with a 5-speed manual transmission that facilitates smooth and controlled driving. In addition, its hatchback design with aerodynamic lines and smooth contours contributes to efficiency and maneuverability, making it practical for urban driving and varied road conditions. It also has a soft suspension and tires with adequate profile that help adapt to urban obstacles without losing comfort or stability.
What role did the upright play in the battles of the Middle Ages?
The mount played a fundamental role as a heavy cavalry weapon in the battles of the Middle Ages, being used to take advantage of the strength, speed and momentum of the charge of the mounted knights, whose main function was the direct collision to break the enemy ranks.
More precisely, the stanchion—a type of long spear—was the main weapon in the lying spear charge, a specific technique of the medieval knight that consisted of charging with the weapon parallel to the horse to maximize the impact and open gaps in the enemy formation. This allowed heavy cavalry to exert a decisive, although not always definitive, shock effect on the battlefield. The cavalry, although not always predominant, was the backbone of most feudal armies, and its action with the charging horse represented the key moment of the pitched combat.
However, in a broader context, medieval battles were not limited to cavalry and its cavalry, since infantry and other weapons (such as bows, crossbows and blunt weapons) also played decisive roles, and in some cases, such as the battles of Hastings, Crecy or Azincourt, the infantry managed to resist or defeat the heavy cavalry. Medieval warfare was complex and the stanchion charge was a specialized tactic within a broader repertoire.
Heavy cavalry was the backbone of most feudal armies, and their action with the charging horse represented the key moment of combat.
How did mullion design evolve throughout the Renaissance
The design of upright During the Renaissance it evolved, integrating with classical geometric logic and the use of architectural orders derived from Antiquity. Renaissance architects sought symmetry, proportion and harmony, using columns and semicircular arches that harmonized with the structural and decorative plans of the building. In particular, the mullion was designed with a focus on clarity of form and its function as part of a static and ordered composition, combining classical elements such as columns and entablatures with innovative techniques to resolve supports and loads, as in the dome of Brunelleschi's Santa Maria del Fiore.
This evolution represented a change with respect to the more slender and pointed Gothic supports, since in the Renaissance the mullion recovered the use of classical columns and pilasters, more robust and proportionate, which also complied with mathematical canons of measurement. These elements became clear visual units, integrated into a geometrically rational and harmonious structure, where each part was recognizable and autonomous, following a logic of absolute and permanent order.
| Type | Blade length (approx.) | Era | Tactical use |
|---|---|---|---|
| Hispaniensis | 60–68cm | 3rd–1st centuries BC | Versatile: Powerful cuts and lunges in tight formations. |
- Hispaniensis
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- Blade length: 60–68cm (approx.)
- Era: 3rd–1st centuries BC
- Tactical use: Versatile: Powerful cuts and lunges in tight formations.
Legacy and why it matters today
The upright came to symbolize a combination of physical strength and technical mastery. Today it inspires the practice of historical fencing and the manufacture of functional and decorative replicas that recall techniques, proportions and aesthetics of yesteryear. For the modern fan, to understand the mount is to understand an essential part of the evolution of Western martial arts.
If you are interested in seeing replicas or models inspired by this tradition, explore collections focused on two-handed swords and historical models; Remember that many current replicas respect historical proportions but adapt details for safe use in recreation.
Explore Claymore Swords | Explore Lowlander Swords Explore Braveheart Swords
Today, the mounted sword remains a testament to an era in which the skill in handling large tools of war translated into social prestige and military effectiveness. Its preserved rules and treatises allow modern practitioners to reconstruct techniques and revive the dynamics of a weapon that was, at once, brutal and refined.
